Record of a Night Too Brief

Title: Record of a Night Too Brief
Japanese Title: 蛇を踏む (Hebi o fumu)
Author: Kawakami Hiromi (川上 弘美)
Translator: Lucy North
Publication Year: 2017 (United Kingdom); 1996 (Japan)
Press: Pushkin Press
Pages: 158

Record of a Night Too Brief collects three short stories that the book’s cover copy describes as “haunting” and “lyrical” in their depiction of young women experiencing “loss, loneliness and extraordinary romance.” This is a lovely sentiment, but it in no way describes the actual stories in question, which are less “haunting” than they are grotesque and less “lyrical” than they are unapologetically strange. Instead of trying to treat them as romance, I believe it’s much more fulfilling to approach their absurdity in the spirit of intellectual play.

The title story, “Record of a Night Too Brief,” is a sequence of nineteen of the unnamed narrator’s dreams. Each of these dreams is two or three pages long, and they are linked only in that every other scenario features a young woman whom the narrator is either pursuing or in the process of merging with. If there is a unifying theme or plot, it is lost on me, but the power of these dreams comes from their vivid imagery. To give an example (from page 11):

Several dozen ticket collectors stood in a row, and once we passed through, showing our tickets, the tall object came into view.

It was a singer, who stood as tall as a three-storey building. From where I was, I had a clear view of the beauty spot under her jaw, and the rise and fall of her breasts.

“The beauty spot is artificial,” the girl informed me, gazing up at the singer, enraptured.

The singer was producing notes at different pitches, as if she were warming up. When she sang high notes, flocks of birds took flight from the branches of the ginko trees. When she sang low notes, the earth heaved, and small furry creatures emerged from underground and crawled about.

…and so on. It’s all very random, but one can’t help but become swept up in the ebb and flow of the constantly shifting parade of surreal images.

The next story, “Missing,” is set in an apartment complex that functions according to its own arbitrary and bizarre set of customs and rituals. One of the rules of this community is that each household can only have five members. If a sixth member is added for any reason, then someone has to disappear. This recently happened to the narrator’s family after her older brother was engaged to be married. Because his fiancée would have become the sixth person, he disappeared, and the narrator’s other older brother stepped in to fill his position. His fiancée, Hiroko, has no idea that this has happened, as the rules are different in her own apartment complex, where certain members of certain families literally shrink. Meanwhile, the narrator continues to hear the voice of the older brother as he (or his spirit) skulks around the apartment. No explanation is given for any of this, as everyone takes these occurrences for granted.

The final story, which provides the title of the original Japanese publication, is “A Snake Stepped On.” This story is about a young woman who one day finds herself living with a snake. This snake takes the form of an older woman who insists that she is the narrator’s mother. As she accustoms herself to life with a snake, the narrator begins to realize that many of the people around her are also living with snakes, including the local Buddhist priest whom she thought of turning to for an exorcism. Following the conventions of magical realism, the tone of this story is mundane, with the possibility of being devoured by a snake – or becoming a snake oneself – treated as merely another everyday occurrence.

Record of a Night Too Brief is a short collection of curiosities that are fascinating in their novelty. The fantastical qualities of each story allow for various interpretations, and they will no doubt intrigue different readers for different reasons. As contemporary fairy tales, the stories in this collection spark and inspire the imagination.

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