Translation Diary, Part Two

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Updates on January Goals

(1) Hire an English copy editor.

I hired Jeremy Anderson, a friend from college who now works as a freelance game designer. He had mentioned doing this sort of editing work in a conversation we’d had a few years ago, and I’ve been a fan of his creative writing for almost ten years now, so he was the first person I asked. To my immense relief, he took the job. I’m paying him $50 an hour, which is higher than the standard rate for copy editors (which is about $40 an hour) but far less than he deserves. Jeremy does fantastic work, and he does it with style and grace.

(2) Hire a Japanese copy editor.

I sent out an initial slew of emails to various people asking for recommendations, but these queries unfortunately yielded no immediate results. I then realized that I can’t actually afford to pay a second copy editor.

An essay from last November titled Professors Making $10,000 a Year? Academia Is Becoming a Profession Only the Elite Can Afford recently made the rounds of my friends on Facebook, exposing me to roughly two dozen stories about debt and poverty from among my cohort of young academics. I’m one of the lucky ones, and I can still barely afford conference travel and dry cleaning. Translation accuracy checking would be work I would be happy to pay someone like a grad student or research assistant to do, but I don’t have any institutional support. It always helps to have a second pair of eyes; but, since that’s not an option, I will do my best to be extra careful with my work while keeping watch for any translation support grants that may come my way.

(3) Hire an illustrator for the blog post header / project proposal cover page.

I was strongly attracted to this painting by Cynthia Liu (who goes by maruti-bitamin on Tumblr, Twitter, and Instagram), so I asked her if I could acquire the rights to use it for this series of blog posts. She agreed, and I paid her $200 for the privilege. I’d been in touch with Cynthia about similar projects in the past, and I’ve always found her to be one of the nicest and most professional artists with whom I’ve ever had the pleasure of working.

(4) Write a short “Translator Bio” section for the project proposal.

Here goes:

Kathryn Hemmann (Ph.D., University of Pennsylvania) is an Assistant Professor in the Department of Modern and Classical Languages at George Mason University in Fairfax, Virginia. She also runs a blog called Contemporary Japanese Literature (, which features book reviews of fiction in translation. She wrote a chapter of her senior thesis at Emory University, “Demonic Women in Modern Japanese Literature,” on Yumiko Kurahashi, and her partial translation and analysis of the author’s short story collection Kurahashi Yumiko no kaiki shōhen (Yumiko Kurahashi’s Creepy Little Stories) became the basis for an independent research project titled Kurahashi Yumiko to shintai no kyōfu (The Body Horror of Yumiko Kurahashi) at the Inter-University Center for Japanese Language Studies in Yokohama, Japan.

Astute readers will note that I’m using Western name order in the project proposal. I have strong feelings about this, but it seems to be the standard convention in mainstream, non-academic publishing in the United States.

(5) Create a first draft translation of the first story in the collection, “The Mermaid’s Tears” (Ningyo no namida).

Around the middle of the month, I already knew that this was not going to happen. Between article submissions, article edits, and creating two new college courses from scratch, I’ve been busy this month. Also, it always takes me a few weeks to get into a good translation routine. I therefore decided to use this month to polish a pre-existing translation, “Pandora’s Box” (Pandōrā no tsubo).

Although it’s positioned as the eighteenth story in the book, I feel that “Pandora’s Box” serves as a fitting introduction to the collection because of its gauntlet-thrown, in-your-face nastiness. Many of the other stories in Cruel Fairy Tales for Adults contain striking imagery and rhetorical flourishes, but not this one. I read “Pandora’s Box” as an unadorned challenge to the idea that Greek myths are integral to our civilization because they speak to the inherent dignity of our common humanity. “Pandora’s Box” feels as though Kurahashi is saying, “Nope, this nonsense is blatantly sexist and gross. Moving on!” Jeremy (my editor) told me that he doesn’t like this story. Honestly, I don’t think the reader supposed to like this story. I personally find it delightful; but, then again, I am a terrible person with an antisocial sense of humor.

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Goals for February

(1) Contact Atsuko Sakaki, translator of The Woman with the Flying Head and Other Stories, to ask about how the Kurahashi estate handles translation rights.

(2) Contact Jeffrey Angles, who is both a brilliant translator and one of the kindest and most supportive scholars working in Japanese Studies, to ask if there are any translation organizations I should be a member of. Figure out how to join these organizations and pay the membership fees, if necessary.

(3) Buy a document scanner (for the Japanese originals).

(4) Create a two-paragraph description of the collection for the project proposal.

(5) Create a first draft translation of the first story in the collection, “The Mermaid’s Tears” (Ningyo no namida). For real this time!

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Banner illustration by maruti-bitamin.